(The Brief for CJT8 is here and what Rachael did is here)

Here is what I sent to Rach.

First a little about my process…

I studied some Barnacles from photos I had taken at the beach. I also have some stuck to a mussel shell that my Mum found on the beach and gave to me. I drew some and then carved the shapes out of a lovely soft printing block. I was given this block by a good friend and have fallen in love with it. Unfortunately it is no longer made! It was very easy to carve (once I had doubled my original drawing size, as the way I started was just impossible to carve. It was far too small and detailed. I am a complete print-making amateur so it has all been trial and error). I tested the print with green ink and this helped me to see where the ink was catching and where I needed to carve a bit more.

work in progress

I also created a pattern based on a photo I took of gentle waves coming into shore. I printed this with silver ink.

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Once it was dry I added the barnacle shapes.

This was my initial intention for the finished project. I wanted to do something to mark (celebrate!) the fact that I now live on the coast, and just found the two patterns (waves and barnacles) and combined them. However, I recently attended a book-making workshop and thought that I could present this print in the form of a book. I flipped through my new book-making book (Making Handmade Books by Alisa Golden) and really liked the concertina design with pockets. I realised I could put two prints together and make four pockets. So then I needed to think of something to put IN the pockets. I know that Rachael likes poetry so I googled for “barnacle poem” not thinking that anyone would have written about barnacles. How wrong I was!

I found this beautiful poem by Sydney Lanier:

Barnacles

My soul is sailing through the sea,

But the Past is heavy and hindereth me.

The Past hath crusted cumbrous shells

That hold the flesh of cold sea-mells

About my soul.

The huge waves wash, the high waves roll,

Each barnacle clingeth and worketh dole

And hindereth me from sailing!

Old Past let go, and drop i’ the sea

Till fathomless waters cover thee!

For I am living but thou art dead;

Thou drawest back, I strive ahead

The Day to find.

Thy shells unbind! Night comes behind,

I needs must hurry with the wind

And trim me best for sailing.

Sidney Lanier – Macon, Georgia, 1867.

Here is how it looks ready to be folded into the book pocket:
Barnacles poem page

I also found a Haiku:

Single barnacle.
What have you ever achieved?
But never lonely.

(http://hikoo.net/haiku/21992Cluemark)

and a quote from Marina Tsvetaeva from her essay: Poets with History and Poets without History:

The wave always returns,

and always returns as a different wave

haiku page

And lastly I found a reference to barnacles in a book I have called “Longshore Drift” by Katrina Porteous (with fantatic images by James Dodds, a print-maker and painter):

Dog Whelk,

anemone,

barnacle

and shipworm,

Sea cabbage,

spotty dog,

brittle star

and keelworm,

Peelers,

Razors,

weevers,

stingers,

Featherweed,

coralweed,

deadmen’s fingers.

Katrina Porteous  – Longshore Drift

Deadmen’s Finger – a type of sea anemone

Spotty Dog – dog fish

Stingers – sting ray

Peelers – soft green crabs

Weever – a stinging fish

Longshore drift page

So along with the CJT8 brief, I had all four pockets filled.

I made a cover, and called the book “Littoral” which is a word I learned in French, it means “coastal” generally, but can also mean the area between the high and low tide marks that is undefined as land or sea. I like that there is a word for this space.

cover

I cut this cover in half to make the front and back. It is made of a textured white card. The cut intentionally goes through one of the barnacle prints, so that even though the back spine is open, the design joins up when the two halves sit side-by-side.

The print-making process was very long and involved a lot of experimentation. As I made four books, and each included two of the silver prints, as well as a cover and each of the poems, there were a lot of prints to be made. I also had to plan how they would be made into the book pages and position the printing in preparation for that. There were some mistakes and some splodges but I had a limited amount of time, energy, paper and space! Some of the mistakes were carried over into the finished books. I had help from my partner with the print-making. She was absolutley invaluable as she fetched and carried the paper before and after printing so that I did not have to keep getting up, as well as cleaning and tidying up for me. It still took us hours!

Here is a picture of some of the prints drying (this took at least three days, as the ink is oil-based)

all prints on table

Here is what the finished product looks like. These pictures are of two books, showing what each side looks like.

both sides open

This is the front cover and the book when open, showing the front and back covers, and the two silver prints inside.

Ifront and open

Here is the front cover with the reverse side open, showing the pockets with the poems in them.

front and reverse open

(The brief for CJT8 is here, and what I sent to Rachael is here)

Here is what Rachael sent to me: First a little book about the process. I re-lived her thoughts and experiences with every flip of the page.

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step 4

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appx 2

Then the actual prints! She labelled them for me…

First attempt:

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Second (more careful) attempt:

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Happy accident:

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Variation on a theme:

 

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My fave (disco remix):

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They are cards. Inside each one was a message about our project and what it means to her. I love the messages and the prints too. Getting each printed card out of it’s envelope was like following the print-making journey. Fabulous presentation!

 

Creative Joyful Thing No.8

 

*Make a pattern inspired by nature*

It could be repetitive and orderly or a random cluster of forms. If very abstract, please state/show your inspiration!

  • You could use printing of some kind to make the repeat images, or not.

Enjoy!

See The Results here and here!

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They are soooo BIG!!!

Last week i made a new stamp (well two actually for one image) in order to make a card for my partner. I also sent it to a friend and have a couple more prints that are good enough to use as cards. It took two days to make. The first day i designed/drew it and carved the two soft-cut blocks. The second day i did the printing. I used some relief printing ink that i bought. It comes in tubes and is really messy to use! It was quite tricky to get good prints and also to line up the two separate images. The ink also took about 24 hours and some hairdryer action to dry – i was starting to worry it would stay sticky forever… I have since ordered some colorbox ink pads so i hope they will be easier to work with than the messy ink and roller combination. I only have the two colours at the moment: black and silver… when my ink pads come there will be (almost, as i forgot to get black) no limit to the spectrum i can use – I can’t wait!

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I have grown to love terns, there is a pond nature reserve near my house and it is often the only place i can cope with going when i am up to going out, but only just, as it is only a few minutes away in the car and a short walk to the water’s edge. When i get to the bench, there is always seems to be an arctic tern or two flying over the water, back and forth and they are so fascinating to watch: so elegant and graceful yet sharp and precise. Just to see them helps to take me out of my body, to relax me, help me to breathe more calmly, deeply and feel a sense of peace.

So for my first attempt at making my own stamp, i chose a tern. I will put it into my bird book!

tern